Die Hepburns hatten sechs Kinder. Der Geburtsname der Mutter wurde bei allen Kindern der zweite Vorname. Die Tochter von Katharine Hepburns Schwester. - Erkunde Pattys Pinnwand „Kathrin Hepburn“ auf Pinterest. Weitere Ideen zu Kathrin hepburn, Katharine hepburn, Schauspieler. Kinder Zitate. Weibliche Schauspielerinnen. Filmstars. Zitate Hochzeit. Prominente Frauen. Die Hepburns hatten sechs Kinder. Der Mädchenname der Mutter wurde bei allen Kindern der zweite Vorname. Somit war Kathrine Hepburns voller Name.
Katharine Hepburn Kinder Erfolgreich auch am Theater
Audrey Hepburn (* 4. Mai als Audrey Kathleen Ruston in Ixelles/Elsene, Belgien; † Audrey Hepburn war mit der Schauspielerin Katharine Hepburn (–) weder verwandt noch verschwägert. Rezeption ihrer Tätigkeit, ihr Engagement für Kinder in den ärmsten Staaten der Welt im Rahmen ihrer Tätigkeit. Die amerikanische Schauspielerin Katharine Hepburn ist tot. der Katholik Tracy auch unter Hinweis auf ihr behindertes Kind stets abgelehnt. Die Hepburns hatten sechs Kinder. Der Geburtsname der Mutter wurde bei allen Kindern der zweite Vorname. Die Tochter von Katharine Hepburns Schwester. Tracy war verheiratet, und weil er Katholik war und seine Frau zudem ein behindertes Kind aus ihrer Ehe pflegte, kam eine Scheidung nicht in. Auch sie wusste, wo ihr Mann war, wenn er nicht bei ihr und den gemeinsamen Kindern John (heute 91) und Susan (heute 84) war. Promi-. Außerdem wurden die Hepburn-Kinder dazu angehalten, sich sportlichen Herausforderungen zu stellen. Katharine Hepburn wurde ein Ass im Golfsport und. Die sportliche Katharine spielte als Kind in einem eigenen Haustheater und sammelte ihre ersten Theatererfahrungen an der Eliteschule von Bryn Mawr, dem.
katharine hepburn kinderlos. Die Hepburns hatten sechs Kinder. Der Mädchenname der Mutter wurde bei allen Kindern der zweite Vorname. Somit war Kathrine Hepburns voller Name. Außerdem wurden die Hepburn-Kinder dazu angehalten, sich sportlichen Herausforderungen zu stellen. Katharine Hepburn wurde ein Ass im Golfsport und.
Katharine Hepburn Kinder aus Wikipedia, der freien EnzyklopädieWie es euch gefällt. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Nach einer Theaterlaufbahn in den Eingeimpft wechselte die aufstrebende Schauspielerin nach Hollywood, wo sie bald für Morgenrot des Ruhms ihren ersten Oscar erhielt. Trotz des emotional distanzierten Verhältnisses unterstützte Hepburn ihren Vater fortan finanziell bis zu seinem Tod. Jetzt ergriff sie ihre Chance, seit der Broadway-Premiere am Herpes Zoster Gürtelrose - gemein und gefährlich.
Katharine Hepburn Kinder - Warum sehe ich BILD.de nicht?Cary Grant mochte den Leoparden allerdings gar nicht, ganz anders Katherine Hepburn. Diego Maradona: Blutgerinnsel im Gehirn muss entfernt werden Nur seine Interessen und Bedürfnisse zählten. Mit ihr verliert das Kino einen seiner eigenwilligsten und erfolgreichsten Stars. Am Auf allen Kanälen Hier geht es zur Übersicht der stern-Kanäle. Anfangs waren beide nicht so sehr voneinander überzeugt: Spencer Tracy mokierte sich über Katherine Hepburn, da sie nur Röcke oder Rio Kino trug wenn eine Rolle es verlangte: "Wie kann ich einen Film mit einer Frau drehen, die Dreck unter den Lysander Pokemon hat und deren sexuelle Neigungen nicht ganz eindeutig Tiefstapler und die immer Hosen trägt? Startseite : 0 neue oder aktualisierte Artikel. Sie Maxome auch dafür, dass der Alkoholkranke immer wieder Rollen erhielt. Services: F. African Queen war zugleich Hepburns erster Farbfilm. Erst stand sie mit Rat mal, wer zum Essen kommt wieder vor der Kamera, gemeinsam mit dem todkranken Tracy, es wurde ihre neunte und letzte Zusammenarbeit. Durch Cukor erhielt sie eine Reihe weiterer Rollen, doch es dauert ganze sechs Jahre, bis aus dem herben jungen Mädchen eine profilierte Schauspielerin mit sehr persönlichem Image wurde. - Erkunde Pattys Pinnwand „Kathrin Hepburn“ auf Pinterest. Weitere Ideen zu Kathrin hepburn, Katharine hepburn, Schauspieler. Kinder Zitate. Weibliche Schauspielerinnen. Filmstars. Zitate Hochzeit. Prominente Frauen. Die Hepburns hatten sechs Kinder. Der Mädchenname der Mutter wurde bei allen Kindern der zweite Vorname. Somit war Kathrine Hepburns voller Name. katharine hepburn kinderlos.
A return to the Broadway stage in led to a role in a flop play, The Lake. In an important exhibitor placed an advertisement in a trade paper and described Hepburn, along with various other female stars, as "box office poison.
Shortly thereafter Katharine Hepburn. Hepburn, determined to re-establish herself, returned to the Broadway stage, playing the lead in a successful production of The Philadelphia Story.
Having invested in the production, she controlled the screen rights, which she ultimately sold to Metro Goldwyn Mayer MGM in return for a tidy profit and the studio's guarantee that she would play the lead in the film version.
She did, and the film was a critical and a commercial success. Her Oscar nomination was but one demonstration of the dramatic way she had re-established herself in Hollywood, California.
Hepburn's next MGM film brought Spencer Tracy — into her life, with whom she began a relationship that lasted over two decades, until his death in Although separated from his wife, Tracy never divorced her.
His romance with Hepburn was a quiet, tender, and private affair. In the s Hepburn interrupted her career to care for the ailing Tracy.
They were a team professionally as well as personally. Not all of these films were commercially or critically successful, but whether comedies or dramas, they were provocative and interesting, especially for their emphasis on the personal interaction between the sexes.
Both Tracy and Hepburn played strong characters in these films, but neither was forced to give in to the other. Hepburn had been married in to the social and well-to-do Ludlow Ogden Smith, who had changed his name to Ogden Ludlow because she did not want to be Kate Smith.
The marriage actually lasted about three weeks before the couple separated, but they were not divorced until They remained friendly afterwards.
Among her other romantic attachments in the s was the well-known businessman and millionaire Howard Hughes — Hepburn was not particularly lucky in her choice of work after the beginning of the s.
Except for a few notable exceptions, such as On Golden Pond , the roles did not make good use of her considerable talents.
Her television debut in as the mother in a version of Tennessee Williams' — moving The Glass Menagerie was not favorable. While apparently a great deal of fun for the stars on location, a pairing with the rugged action star John Wayne — in Rooster Cogburn proved to be lifeless.
She had some success playing the noted French designer Coco Chanel — in a Broadway musical that opened in ; Coco had a long run but did not make impressive use of her capabilities.
Several later Broadway undertakings proved to be failures. Although Hepburn suffered some significant injuries in a automobile accident, and illnesses usual to one of her years, she golfed, cycled, and swam in the sea into her nineties.
Katharine Hepburn provided some new perspectives on her personality and the roles she played on stage and screen in her autobiography, published after she retired from performance.
In it she stressed the important influence of her intellectual family, and her continued closeness with her siblings and their children.
Katharine Hepburn never conformed to the traditional star image, but there is no doubt that she was a super star as an actress in movies, on stage, and on television.
A strong-minded, independent woman, she has lived her life and her career to suit herself. In the process she has entertained, delighted, and aroused millions, and she has done so without compromising her beliefs.
Bryson, John. The Private World of Katharine Hepburn. Boston: Little, Brown, Hepburn, Katharine.
Me: Stories of My Life. New York: Knopf, Kanin, Garson. Tracy and Hepburn: An Intimate Memoir. Hepburn je Godine Razveli su se u Meksiku Hepburni su pobjegli netom prije samog udara.
Odabrala je Jezero , ali RKO to nije dopustio pa se vratila u Hollywood kako bi snimila film za brzi zaborav, Spitfire Dok se Hepburn oporavljala od serije neuspjeha, Selznicku i glumiti Scarlett O'Haru jer nitko nije htio ulogu.
Hepburn je govorila kako nema dovoljno seksepila kojeg je uloga zahtjevala i rekla Selznicku kako njegov studio treba drugu glumicu koja ga ima.
Ostale su prijateljice sve do Leighine smrti, Nominirana je za Oscara za najbolju glumicu. Kad ih je Joseph Mankiewicz upoznao, Hepburn, koja je nosila visoke potpetice koje su nadodale nekoliko centimetara njenoj vitkoj pojavi, je rekla, "Bojim se da sam previsoka za vas, g.
On i Hepburn ostali su veliki prijatelji sve do njezine smrti. Za ulogu u filmu Ljetnikovac na Zlatnom jezeru Hepburn je umrla Imala je 96 godina.
Knjiga A. Scott Berga, Kate Remembered , objavljena je samo trinaest dana nakon njezine smrti.
Hepburn je umrla Imala je 96 godina. Knjiga A. Scott Berga, Kate Remembered , objavljena je samo trinaest dana nakon njezine smrti.
Dokumentira njezino prijateljstvo s Bergom. Knjiga je predstavljena kao autobiografija, ali to je New York Times doveo u pitanje. Kate je Iz Wikipedije, slobodne enciklopedije.
Katharine Hepburn na Wikimedijinoj ostavi. Oscar za najbolju glavnu glumicu. Nagrada Kanskog filmskog festivala za najbolju glumicu.
From early childhood, Hepburn was continually encouraged to expand her intellectual horizons, speak nothing but the truth, and keep herself in top physical condition at all times.
She would apply all of these ingrained values to her acting career, which began in earnest after her graduation from Bryn Mawr College in Hepburn was an unlikely Hollywood star.
Possessing a distinctive speech pattern and an abundance of quirky mannerisms, she earned unqualified praise from her admirers and unmerciful criticism from her detractors.
Unabashedly outspoken and iconoclastic, she did as she pleased, refusing to grant interviews, wearing casual clothes at a time when actresses were expected to exude glamour 24 hours a day, and openly clashing with her more-experienced coworkers whenever they failed to meet her standards.
For her third film, Morning Glory , Hepburn won an Academy Award for her portrayal of an aspiring actress. And while moviegoers enjoyed her performances in homespun entertainments such as Little Women and Alice Adams , they were largely resistant to historical vehicles such as Mary of Scotland , A Woman Rebels , and Quality Street Hepburn recovered some lost ground with her sparkling performances in the screwball comedies Bringing Up Baby and Holiday , both of which also starred Cary Grant.
It was a huge hit, and she purchased the motion picture rights to the play. The film version—in which she reteamed with Cukor and Grant—was a critical and commercial success, and it jump-started her Hollywood career.
She continued to make periodic returns to the stage notably as the title character in the Broadway musical Coco , but Hepburn remained essentially a film actor for the remainder of her career.
Her 12 Academy Award nominations also set a record, which stood until , when it was broken by Meryl Streep.
Hepburn was married once, to Philadelphia broker Ludlow Ogden Smith, but the union was dissolved in Hepburn had suspended her own career for nearly five years to nurse Tracy through what turned out to be his final illness.
Hepburn was a Kennedy Center honoree, and in the American Film Institute named her the top female American screen legend of all time.
She wrote several memoirs, including Me: Stories of My Life Favorable reviews of her work on Broadway brought her to the attention of Hollywood.
Her early years in film were marked with success, including an Academy Award for Best Actress for her third picture, Morning Glory , but this was followed by a series of commercial failures culminating in the critically lauded but commercially unsuccessful comedy Bringing Up Baby , a pairing with Cary Grant.
Hepburn masterminded her own comeback, buying out her contract with RKO Radio Pictures and acquiring the film rights to The Philadelphia Story , which she sold on the condition that she be the star.
That comedy film, again co-starring Grant, was a box office success and landed her a third Academy Award nomination, plus won her other co-star, James Stewart , his only Academy Award.
Both movies are now considered among the greatest comedy films. In the s, she began a screen and romantic partnership with Spencer Tracy , which spanned 26 years and nine movies, although the romance with the married Tracy was hidden from the public.
The partnership began with Woman of the Year , continued with Adam's Rib , both being "battle of the sexes" romantic comedies, and concluded with the race-issue drama Guess Who's Coming to Dinner , also starring Sidney Poitier ; Tracy died shortly after the movie's filming.
Hepburn challenged herself in the latter half of her life, as she tackled Shakespearean stage productions and a range of literary roles.
She found a niche playing middle-aged spinsters, such as in The African Queen , which landed her another Academy Award nomination.
Suddenly, Last Summer was another commercial and critical success and landed her another Oscar nomination. In the s, she began appearing in television films, which later became the focus of her career.
She made her final screen appearance at the age of After a period of inactivity and ill health, Hepburn died in at the age of Hepburn famously shunned the Hollywood publicity machine, and refused to conform to society's expectations of women.
She was outspoken, assertive, and athletic, and wore trousers before they were fashionable for women. She was briefly married as a young woman, but thereafter lived independently.
With her unconventional lifestyle and the independent characters she brought to the screen, Hepburn epitomized the "modern woman" in the 20th-century United States, and is remembered as an important cultural figure.
Hepburn was born on May 12, , in Hartford, Connecticut , the second of six children. Both parents fought for social change in the US: Thomas Hepburn helped establish the New England Social Hygiene Association , which educated the public about venereal disease ,  while the elder Katharine headed the Connecticut Woman Suffrage Association and later campaigned for birth control with Margaret Sanger.
The young Hepburn was a tomboy who liked to call herself Jimmy, and cut her hair short. In March , Hepburn, 13, and her year-old brother Tom were visiting New York, staying with a friend of their mother's in Greenwich Village over the Easter break.
On March 30, Hepburn discovered the body of her adored older brother dead from an apparent suicide. It was not until her autobiography, Me: Stories of My Life , that Hepburn revealed her true birth date.
In Hepburn gained a place at Bryn Mawr College. She attended the institution primarily to satisfy her mother, who had studied there, but ultimately found the experience to be fulfilling.
Once her marks had improved, she began performing regularly. Hepburn left university determined to become an actress. Knopf , who ran a successful stock theatre company.
She was criticized for her shrill voice, and so left Baltimore to study with a voice tutor in New York City. A week before opening, the lead was fired and replaced with Hepburn, which gave her a starring role only four weeks into her theatre career.
Undeterred, Hepburn joined forces with the producer Arthur Hopkins and accepted the role of a schoolgirl in These Days. Her Broadway debut came on November 12, , at the Cort Theatre , but reviews for the show were poor, and it closed after eight nights.
In early December, after only two weeks, she quit to marry Ludlow Ogden Smith , a college acquaintance. She planned to leave the theatre behind, but began to miss the work and quickly resumed the understudy role in Holiday , which she held for six months.
She felt the role was perfect, but again, she was fired. In the spring of , Hepburn joined a theatre company in Stockbridge, Massachusetts.
She left halfway through the summer season, and continued studying with a drama tutor. She was released from the role after the playwright took a dislike to her, saying "She looks a fright, her manner is objectionable, and she has no talent", but Hepburn was re-hired when no other actress could be found.
Hepburn appeared in a number of plays with a summer stock company in Ivoryton, Connecticut , and she proved to be a hit. They began rehearsals in November, Hepburn feeling sure the role would make her a star, but Howard disliked the actress and again she was fired.
The Warrior's Husband proved to be Hepburn's breakout performance. Biographer Charles Higham states that the role was ideal for the actress, requiring an aggressive energy and athleticism, and she enthusiastically involved herself with its production.
Hepburn's first entrance called for her to leap down a narrow stairway with a stag over her shoulder, wearing a short silver tunic.
The show ran for three months, and Hepburn received positive reviews. Selznick recounted that he took a "tremendous chance" in casting the unusual actress.
Hepburn arrived in California in July , at 25 years old. Miss Hepburn's characterization is one of the finest seen on the screen".
She has a vital something that sets her apart from the picture galaxy. Hepburn's second film was Christopher Strong , the story of an aviator and her affair with a married man.
The picture was not commercially successful, but Hepburn's reviews were good. She is a distinct, definite, positive personality.
She had seen the script on the desk of producer Pandro S. Berman and, convinced that she was born to play the part, insisted that the role be hers.
The picture was a hit, one of the film industry's biggest successes to date,  and Hepburn won the Best Actress prize at the Venice Film Festival.
Little Women was one of Hepburn's personal favorites and she was proud of her performance, later saying, "I defy anyone to be as good [as Jo] as I was".
By the end of , Hepburn was a respected film actress, but she yearned to prove herself on Broadway. Hepburn's role in the movie was Trigger Hicks, an uneducated mountain girl.
Though it did well at the box office, Spitfire is widely considered one of Hepburn's worst films, and she received poor reviews for the effort.
The Lake previewed in Washington, D. It opened at the Martin Beck Theatre on December 26, , and Hepburn was roundly panned by the critics. Hepburn loved the book and was delighted to be offered the role.
She received the second most votes, after winner Bette Davis. Given the choice of her next feature, Hepburn decided to star in George Cukor's new project, Sylvia Scarlett , which paired her for the first time with Cary Grant.
Critics disliked Sylvia Scarlett and it was unpopular with the public. Neither movie was popular with the public, which meant she had made four unsuccessful pictures in a row.
Alongside a series of unpopular films, problems arose from Hepburn's attitude. It had a successful tour,  but, uncertain about the script and unwilling to risk failure after the disaster of The Lake , Hepburn decided against taking the show to Broadway.
Selznick refused to offer her the part because he felt she had no sex appeal. He reportedly told Hepburn, "I can't see Rhett Butler chasing you for twelve years.
Hepburn's next feature, Stage Door , paired her with Ginger Rogers in a role that mirrored her own life—that of a wealthy society girl trying to make it as an actress.
She approached the physical comedy of the film with confidence,  and took tips on comedic timing from her co-star Walter Catlett.
Scott Berg believes the blame lay with moviegoers' rejection of Hepburn. After the release of Bringing up Baby , the Independent Theatre Owners of America included Hepburn on a list of actors considered "box office poison".
No other star, either, has become so unpopular so quickly for so long a time. Following this decline in her career, Hepburn took action to create her own comeback vehicle.
She left Hollywood to look for a stage project, and signed on to star in Philip Barry's new play, The Philadelphia Story.
It was tailored to showcase the actress, with the character of socialite Tracy Lord incorporating a mixture of humor, aggression, nervousness, and vulnerability.
Several of the major film studios approached Hepburn to produce the movie version of Barry's play. As part of the deal she also received the director of her choice, George Cukor , and picked James Stewart and Cary Grant to whom she ceded top-billing as co-stars.
A lot of people want to see me fall flat on my face. The perfect conception of all flighty, but characterful, Main Line socialite gals rolled into one, the story without her is almost inconceivable.
Hepburn was also responsible for the development of her next project, the romantic comedy Woman of the Year about a political columnist and a sports reporter whose relationship is threatened by her self-centered independence.
The idea for the film was proposed to her by Garson Kanin in , who recalled how Hepburn contributed to the script. On Hepburn and Tracy's first day on set together, she allegedly told Tracy "I'm afraid I'm too tall for you" to which Tracy replied "Don't worry Miss Hepburn, I'll soon cut you down to my size.
Critics praised the chemistry between the stars, and, says Higham, noted Hepburn's "increasing maturity and polish". During the course of the movie, Hepburn signed a star contract with MGM.
In , Hepburn returned to Broadway to appear in another Philip Barry play, Without Love , which was also written with the actress in mind.
A dark mystery with a propaganda message on the dangers of fascism, the film was seen by Hepburn as an opportunity to make a worthy political statement.
Since Woman of the Year , Hepburn had committed to a romantic relationship with Tracy and dedicated herself to helping the star, who suffered from alcoholism and insomnia.
She took an atypical role in , playing a Chinese peasant in the high-budget drama Dragon Seed. Hepburn was enthusiastic about the film, but it met with a tepid response and she was described as miscast.
Hepburn's next film was Undercurrent , a film noir with Robert Taylor and Robert Mitchum that was poorly received. Similarly to Keeper of the Flame and Without Love , a lukewarm response from critics did not stop it from being a financial success both at home and abroad.
She trained intensively with a pianist for the role. Viewed by some as dangerously progressive, she was not offered work for nine months and people reportedly threw things at screenings of Song of Love.
Tracy and Hepburn appeared onscreen together for a third consecutive year in the film Adam's Rib.
Like Woman of the Year , it was a "battle of the sexes" comedy and was written specifically for the duo by their friends Garson Kanin and Ruth Gordon.
A story of married lawyers who oppose each other in court, Hepburn described it as "perfect for [Tracy] and me". The s saw Hepburn take on a series of professional challenges, and stretch herself further than at any other point in her life at an age when most other actresses began to retreat.
She hoped to prove that she could play already established material,  and said, "It's better to try something difficult and flop than to play it safe all the time.
Reviews for Hepburn varied, but she was noted as the only leading lady in Hollywood who was performing high-caliber material onstage. The first successful film she had made without Tracy since The Philadelphia Story a decade earlier, it proved that she could be a hit without him and fully reestablished her popularity.
Hepburn went on to make the sports comedy Pat and Mike , the second film written specifically as a Tracy—Hepburn vehicle by Kanin and Gordon. She was a keen athlete, and Kanin later described this as his inspiration for the film: "As I watched Kate playing tennis one day Her parents had read Shaw to her when she was a child, which made the play a special experience for the actress.
Pat and Mike was the last film Hepburn completed on her MGM contract, making her free to select her own projects. The movie was filmed in Venice, with Hepburn playing a lonely spinster who has a passionate love affair.
She described it as "a very emotional part" and found it fascinating to work with Lean. The tour was successful and Hepburn earned significant plaudits for the effort.
Hepburn received an Academy Award nomination for the second year running for her work opposite Burt Lancaster in The Rainmaker Again she played a lonely woman empowered by a love affair, and it became apparent that Hepburn had found a niche in playing "love-starved spinsters" that critics and audiences enjoyed.
It wasn't difficult for me to play those women, because I'm the maiden aunt. Hepburn played a cold-hearted Soviet pilot, a performance Bosley Crowther called "horrible".
Tracy and Hepburn reunited on screen for the first time in five years for the office-based comedy Desk Set Berg notes that it worked as a hybrid of their earlier romantic-comedy successes and Hepburn's spinster persona,  but it performed poorly at the box-office.
The shows were positively received. After two years away from the screen, Hepburn starred in a film adaptation of Tennessee Williams ' controversial play Suddenly, Last Summer with Elizabeth Taylor and Montgomery Clift.
The movie was shot in London, and was "a completely miserable experience" for Hepburn. Mankiewicz during filming, which culminated with her spitting at him in disgust.
She makes dialogue sound better than it is by a matchless beauty and clarity of diction". It was a low-budget production, and she appeared in the film for a tenth of her established salary.
It remains one of her most praised performances. The movie dealt with the subject of interracial marriage, with Hepburn's niece, Katharine Houghton , playing her daughter.
Tracy was dying by this point, suffering the effects of heart disease,  and Houghton later commented that her aunt was "extremely tense" during the production.
Guess Who's Coming to Dinner was a triumphant return for Hepburn and her most commercially successful picture to that point.
Hepburn felt the award was not just for her, but was also given to honor Tracy. Hepburn quickly returned to acting after Tracy's death, choosing to preoccupy herself as a remedy against grief.
Hepburn's next appearance was in The Madwoman of Chaillot , which she filmed in Nice immediately after completing The Lion in Winter.
She admitted that before the show, she had never sat through a theatrical musical. Hepburn stayed active throughout the s, focusing on roles described by Andrew Britton as "either a devouring mother or a batty old lady living [alone]".
When asked why she had taken the role, she responded that she wanted to broaden her range and try everything while she still had time.
In , she signed on to star in an adaptation of Graham Greene 's Travels with My Aunt , but was unhappy with early versions of the script and took to rewriting it herself.
The studio disliked her changes; so, Hepburn abandoned the project and was replaced with Maggie Smith. In , Hepburn ventured into television for the first time, starring in a production of Tennessee Williams' The Glass Menagerie.
She had been wary of the medium, but it proved to be one of the main television events of the year, scoring high in the Nielsen ratings.
It received positive reviews and high ratings, and earned Hepburn her only Emmy Award. Hepburn made her only appearance at the Academy Awards in , to present the Irving G.
Thalberg Memorial Award to Lawrence Weingarten. She received a standing ovation, and joked with the audience, "I'm very happy I didn't hear anyone call out, 'It's about time'.
Echoing her African Queen character, Hepburn again played a deeply religious spinster who teams up with a masculine loner to avenge a family member's death.
Its casting was enough to draw some people to the box office, but it did not meet studio expectations and was only moderately successful.
The role of eccentric Mrs. Basil was deemed a perfect showcase for the actress,  and the play was popular despite poor reviews. The adventure comedy was one of the biggest failures of her career—the screenwriter James Prideaux , who worked with Hepburn, later wrote that it "died at the moment of release" and referred to it as her "lost film".
It was the last of ten films Hepburn made with George Cukor , and gained her a third Emmy nomination. By the s, Hepburn had developed a noticeable tremor , giving her a permanently shaking head.